Wednesday, 23 August 2017

Accident Man - Bring It!

Another little example of what you are missing by not signing up to the Cockney Kung Fu mailer from myself and the mighty Nick Prolix.

Accident Man.

Look Ma! A British comics movie! With martial arts. Who bloody well went and thought of that one....

With the news that the Toxic / Dark Horse comic 'Accident Man' in movie form is finally wrapped and almost ready for release I thought that I would have a look at it.

Scott Adkins ('Green Street 3', 'Doctor Strange' and 'X-Men Origins: Wolverine') describes making a movie of comic book series Accident Man as his own personal 'Passion Project'. A comic that the fifteen year old martial arts movie and tv star picked up and read and reread this is in my humble opinion the perfect casting. He seems to talk about it without the usual Hollywood style fakeness and as an old comic fan I'm on board!

British martial arts actors with longevity and style seem few and far between here but this guy seems the real deal. Adkins was born in 1976 in Sutton Coldfield and wrote the movie with his childhood pal Stu Small. His exposure to martial arts came early on with Judo classes at the age of 10 years before moving on to Tae Kwon Do at 14 years and then on to Kickboxing. After taking an acting course he grabbed a bag and headed to Hong Kong and worked alongside greats like Sammo Hung and Jackie Chan.

The actor returned to the United Kingdom and took roles in more mainstream fare on television in 'Doctors', 'Eastenders' and a recurring role in 'Holby City'.

Adkins has a long list of cracking movies and performances to his credit now. Appearing in 'Doctor Strange', 'Grimsby', 'Expendables 3', 'Green Street 3' and many, many more. He has carved out for himself a respectable series of martial arts movies as well. Not bad for a lad from the midlands.

He has spoken with huge enthusiasm about wanting to keep the adaption 'Twisted' and with 'dark humour' and also to set 'Accident Man' in London. It has now wrapped the post production phase a couple of months ago (according to the Accident Man instagram page) and Adkins is hoping it can get a theatrical release (as am I).

I recently spent a boozy evening chatting to Pat Mills about this project and he is also very excited about the possibilities. Accident Man is creator owned and is taking that step in to movies that many 2000AD creations haven't managed yet. It's been a long time coming and good to hear that it's being made by someone who seemingly understands what this anarchic and stylish comic is all about.

This is a movie/franchise with huge potential. The actors starring alongside Adkins is like a who's who of comic adaption action stars. Michael Jai White ('Batman: The Dark Knight' and 'Spawn'), Ray Stevenson ('Punisher: War Zone' and 'Thor'), Ray Park ('X-Men', 'G.I. Joe'), Ashley Greene ('Batman: Arkham Knight') and Amy Johnston (stunts in a load of Marvel/DC movies incl, 'Deadpool', 'Capptain America: Winter Soldier' and 'Suicide Squad').

In interviews Adkins has spoken about the tone being kept from the comic and also says that they have kept a 1980s 'John Carpenter style' soundtrack. 

Sound good? It does to me.

So let's have a look at the comic series that inspired this new project.

'Listen Bidet-Face... I'm letting you go now, but I still intend to kill you...'

Written by Pat Mills and Tony Skinner.

Art through the series by Martin Emond, Duke Mighten and John Erasmus.

Accident Man premiered in the short lived and much missed TOXIC! comic before moving on to a Dark Horse series (with covers by Howard Chaykinn no less!) It's now available in a hard cover collection from Titan Comics.

This is a series about Mike Fallon. A hitman who in the most part makes all his kills look like accidents. He's got a tendency to the richer things in life, Fast cars and motorbikes and woman who alternatively will fuck your brains out and/or cut your throat. He likes to live on the edge. He's a master of numerous martial arts and likes to refer to his melting pot of styles as 'Newberry Style'. He is also probably the most ghastly anti-hero you'll read in a long time!

'I'm a Kung Fu and Chips man myself.'

He despises pretty much everything that doesn't involve him getting paid or gatting his rocks off and will unwind by challenging a group of football fans to a punch-up. He's also loosely associated with a group of other hit men of various styles and techniques. One hilarious sequence has him attending the hitmen awards. A son who is collecting an award for his deceased father declares 'You're all mad!' before taking his seat back in the audience.

Mike Fallon is very much the anti James Bond. Mills and Skinner avoid all the cliches by lampooning many of them. Fallon dresses impeccably (describing in details everything he's wearing down to cufflinks and personalised condoms in one issue), he sleeps with only the sexiest and deadliest women and spends his life being rude to the rich and poor alike. He is appallingly nasty and cruel. He lacks a shred of any kind of morality. He acts purely for monetary and physical satisfaction. A kill is a masturbatory act for Fallon and he gets off on each and every one. (You're getting the idea of how much I love this book by now?)

The opening few issues under the art chores of the sadly now passed Martin Emond feel like the nastiest of all the series. It feels like you are reading an Underground Comic. Something that you would most definitely have to hide from your mum and dad. Dirty, bloody and extreme this is the genesis of the hero. He would later go in to a more sleeker and smarter look under the pen of Duke Mighten and John Erasmus. But it's Emond to me who really gets the idea and runs with it. He chocks the page full of jokes and sound effects. His exaggerated punk edged violence fits the story brilliantly.

The satire of the book is amped up on page after page as you would expect from Mills and Skinner. Never failing to grasp a curled lip and two fingers raised at the establishment this is as alternative as you could ever have gotten in a UK newsagents weekly! Toxic burned brightly and is missed by all who were readers. At the time it was touted as an alternative to 2000AD. Imagine if we had a British weekly that good now! Stories that were groundbreaking like 'The Bogie Man', 'Muto Maniac', 'Marshall Law' and 'The Driver' filled it's pages - now let's see 2000AD try and get that kind of quality in Social Justice Warrior Britain these days!?

I'm hoping that the upcoming movie will kickstart some more comics. I'd love to see a publisher like Dynamite to pick this particular ball up and run with it. 

Bring it on!


Fuck You!


Kirby Class!

For those who haven't heard (you may well live under a cow?) myself and Nick Prolix are working on a new martial arts comic called 'Cockney Kung Fu'. We are really excited about it and decided as part of the collaborative process we would put out a weekly mailer.

You can find the mailer at

So I thought I would show you what you are missing by not signing up.

Along with news about convention appearances and and creative process we post essay style content. Here  is the one from this week that talks about one of my favourite comics.


 With August the 28th of this year being the hundredth anniversary of the birth of the 'King of Comics Jack Kirby I thought that I would talk about one of my favourite issues. This isn't possibly his best book or even from his best period of work but it was one that I read over and over again. I was nine years old when it was released and I would copy the faces of the characters (who I didn't really understand) on paper my father brought home.  

The Eternals: Annual 1. (1977).

Edited, written and drawn by Jack Kirby.
Letters and inks by Mike Royer.
Colours by Glynis Wein.
Published by Marvel Comics in full colour.

The Story - Zuras (the prime Eternal) and Thena (the good looking blonde Eternal) discover that (get ready for one of the best names in comics) 'Zakka: The Tool Master' is still alive and on Earth. He is making use of his many fancy tools to transport beings from history to present day New York and they are causing havoc.

So rather than heading off and getting the usual crowd of Eternals (who we see in the regular run of the series) they reach out to some who had recently been 'saved' from the fighting pits 'Karkas' and 'Ransak the Reject'. (see the Eternals regular series issues 8 and 9).

Karkas is a big old red scaly monster who could just about be described as humanoid and has immense strength. He is given a device that hides his true form from the eyes of man and makes him look like a bit of a lumpy New Yorker who would kick your arse for putting gum on your subway seat.

Ransak is in the grand tradition of Kirby an angry kid. Brought up fighting he is a big ball of fury and resentment. He'll fight your gran if you ask him to. He has those big wide open and deranged staring eyes that Jack did so well.

Back to the story... Turns out that Zakka has rented a room to live in with a little old lady. She turns up unexpected and finds him '....tinkering with those foreign cameras of yours....' She thinks that Zakka is a little strange but is probably from the Circus and one of those ' folk...' always doing '...Flashy Magical Acts..'

Zakka's landlady is well off the point and fails to notice that Zakka is dressed like a classic super-villain. Is it just me or is there a little spark of the sexy about this relationship? Maybe Zakka (who let's face it isn't a young man himself) fancies a bit of New York GILF action? He's probably really lonely from fiddling with his gadgets so you couldn't really blame him?

'....I will plunge the humans in to a frenzy of panic!' (Typical man!)

Ransak and Karkas head to the scene in some classy Kirby men's suits which he drew so well. They split up and Ransak end up fighting Jack the Ripper. Yup, that one, transported back from 19th century London. I have to say that Eddie Campbell could learn a lesson from the art in these panels. I've never seen Jack drawn so well and with a real threat. Class stuff again from Kirby.

While Ransak is fighting for his life Karkas bumps in to a kid who is wandering about. They have a weird interaction where Karkas may as well have told the kid 'don't do drugs and stay in school otherwise you'll end up fighting demons in the pits like I did..' Before he in turn gets attacked by Attila the Hun and some of his soldiers on the landing.

'Die you vicious maggots!'

During the battle Karkas' disguise slips and the members of the public caught up in the chaos run in fear screaming. ('Run, big scaly penis with arms is attacking us' they fail to say.) 

Zakka reappears and fiddles again with his 'Kirby machine' and goes too far this time and ends up transporting Tutinax from the fighting pits to New York. Thena, Ransak and Karkas go after this huge and very angry creature fearing that they are running to their death......

Of course they don't die. What are you? An idiot? This is a Marvel comic. 

At the time I had not seen the Fourth World work ('New Gods', 'Forever People', 'Mr Miracle' and 'Jimmy Olsen') so for me as a young reader this series was a fucking revelation. You can see all the themes that Kirby attempted to carry through his time at DC Comics combined with a lot of 'Chariots of the Gods' ideas he had got from reading the sci-fi and futurist books of the 1970s. I absolutely ate this book up and it still influences what sort of fiction I choose to read from time to time now.

Kirby had an unfettered imagination. Some might say that he was given too much creative control and that a good editor working with him may have mean't that this series along with books like 2001, Machine Man, The New Gods, The Demon, O.M.A.C. and so on would have been about a lot longer if he was reigned in a bit. 

You know what I think? Fuck all that. I adored this mental reality drift. This imaginative soaring through the cosmic. This is what we need now. Don't worry about fucking three act structure of Robert McKee's 'Story'! You have got to let the story speak without limiting yourself or yourselves. Look at what we got from these series. Darkseid, Orion, Brother Eye, The Celestials! These are characters and subjects that are mined constantly these days by the comics, tv and especially the movies! (Parademons in Batman v Superman anyone??)

Kirby could drawn anything. He could draw it with drama, action, brutality and emotion like no one else could or can.

Ladies and Gentlemen - Jack Kirby - 'The King of Comics!' 

Many thanks for reading.

Saturday, 19 August 2017

In Preview - 'Impossible' from Markosia Comics.

Written & created by Chris Sides

Art & Lettering by Jake Rowlinson

Colours by Daniel Franco

Graphic design & additional editing by Ken Reynolds

Published by Markosia Enterprises

The Story - '2046. Will McGillis, an astrophysicist, is contracted last minute to join the crew of the AMALA in low-Earth orbit, who are part of an orbital clean-up operation; one that aims to rid Earth's various orbital patterns of space debris, with the future intention of building a new space station/port.

This is routine stuff, but unknown to McGillis, the AMALA's crew have been sub-contracted by a mysterious client to gain access to and retrieve sensitive information from the old, almost completely burnt-out husk of the International Space Station, in permanent high-Earth orbit. McGillis is betrayed and blown out of the AMALA's airlock into space. Unknown to the backstabbing crew, however, McGillis has had extensive military training. Willing to do whatever it takes to get back to Earth and to his family, Will McGillis must perform the impossible…'

Message from the Creators - 'IMPOSSIBLE is an 86 page graphic novel and the first in a planned trilogy. It’s the first official book in THE FROSTBYTE LEGACY, a series of stories set within a fictional future history of the world, where Frostbyte Industries, a vast, multi-national and incredibly influential technology company, is the one constant.'

The Preview -  I was lucky enough to get an early look at this new book from my old mucker Sidesy. I hate to compliment the man who once wore a T Shirt that said 'Shut Up Tony' but this is genuinely a next level for the small press world. Chris takes the writing and plotting side of things like very few others do in the small press field. He crafts and strips down and rewrites so that what he produces is of the highest quality.

The Impossible is the first in the series and I am already plaguing him with texts saying 'C'mon on Sidesy you bastard, where's issue 2'. I am, I know, prone to hyperbole, but this is one of the most expertly put together comics I have read on the scene for an age. It is honed down so there isn't anything that doesn't add to the mood and story. A story that keeps you guessing throughout. We also don't get a hint of decompression as is common place elsewhere. This builds you up, keeps you guessing throughout and shafts you with a cracking ending.

The art by Jake Rowlinson has a solid foot in both the humour/character side of illustration but also manages to carry weight with the action and drama. He reminds me a little of the work of Simon Roy on 'The Field' a couple of years ago out of Image Comics. Jake sorts them men from the boys with some excellent facial acting and you can always tell who is who and what they are thinking. A small niggle would be that a couple of the space ship models seem a little less detailed than scenes elsewhere in the story but I'm sure that readers won't mind that too much with the gold elsewhere.

Daniel Franco doesn't let the team down either and I have to admit that the change from 'earth' style settings to the blacks, blues and greys of outer space is spot on as I read it on a backlit iPad screen. Some superb use of moody spaceship interior lighting as you can see below.

It's also edited by the mighty (and really, really busy) Ken Reynolds and with 'The Kenster' on bo0ard you really can't go wrong.

Highly recommended. 

The book is launching at London Super Comic Con and worldwide on Friday 25th August and includes pinups from Jake and Dan, as well as a guest pinup by Reckless Hero’s Chris Imber and Chris Jenkins.

It will be available to buy from:

You can currently pre-order the book via my website at this link -

Many thanks for reading.

Saturday, 12 August 2017

Safari Festival 2017 - A Quick Visit.

I popped in to the Safari Festival in East London that is run by Breakdown Press. Held in the trendy sounding 'Protein' (actually just a glorified East End lock up) near to Shoreditch it was great to see that it was absolutely packed with both creators and punters. This year the summer was holding back a little so a wander round the space was an enjoyable feast of comic making enthusiasm and colourful art. Attached to the right of the venue was a coffee shop that I am now sitting in writing this...

I got to pick up some excellent books and managed to speak to some old comics pals and some people new to me.

First up was the new zine from Simon Moreton. I have loved Simon's stripped down visuals and thoughtfully poetic dialogue for years now. He should be known wider and manages to evoke mood and emotion through a minimal yet really personal style. Anything by him is highly recommended. 'Minor Leagues: Three' is not minor in any way whatsoever and collects a number of pieces of art, short comics stories and text pieces. A quiet moment in a busy city as I sat down in a local coffee shop to read it. 

Find more at

Did someone say 'The 1000 Yard Stare'? I got to see that look in action! (It's OK Shakey isn't really that serious or scary). Mr K was one of our favourite guests on The Awesome Comics Pod (along with co-creator Chris Baker) and I was chuffed to pick up the aforementioned comic from him in person. Do yourself a favour and head over to and dip both eyeballs in comics lysergic acid.

(Above (left) is Charles Forsman and (right) Tom Adams).

Talking about people I hadn't met before... I got to buy a copy of the super violent and super cool 'Revenger' from Charles Forsman. He did an awesome sketch on the inside cover and it was great to hear that he had travelled over to the UK from Brooklyn for the convention. Watch this space for more on this creator.  Alongside him is the co-owner of Bergen Street Comics Publishing Tom Adams. The shop in Brooklyn closed a couple of years ago but they have carried on printing some great comics (including Michael Fiffe's 'Copra' which I also purchased finally).

Find more about this company and these two comics and more at

Listen... I'm not going to pretend that there wasn't some strange stuff at this convention/festival. But I was reminded whilst in the hall that comics events can be extremely popular if treated/hyped right. Sure, everything wasn't exactly to my taste and I feel that I have to pass comment that there were quite a few people present who could do with a kick in the bollocks (other genetalia is available) for the outrageous prices on some of their products! As an example '1000 yard stare' was £3. Almost next to Shakey was someone selling a four page comic (plus card cover) for flipping £5 (which I might add was badly drawn and crappily lettered and in a smaller than A5 black and white format!!!)

Get a hold of yourselves! (Rant over).

Also billed as a social event and I believe that there was a pre party the night before (as well as some rather too loud 'DJ' action going on at the event...) 

Maybe I am just too old!?

This year the vibe seemed better (and literally cooler) than previous years and also better than last year was the fact that all the tables were full from pretty much the opening. (No 'too cool to be on time' creators this year - oh no!) I got some great comics and chatted to some interesting people - And all FOR FREE!!! Can't say better than that.

Watch out for next year's event at or

Many thanks for reading.

Thursday, 3 August 2017

In Review - 'Found Forest Floor'

Found Forest Floor.

'An Abstract Graphic Novel'

By Gareth A. Hopkins and Erik Blagsvedt.

272 Pages. Black and White. £15.00 - print on demand - available now.

I like the odd and the strange. I like the challenging and the experimental. I like this and yet still it confuses me.

I hope that it confuses the masses.

This is a comic. I will fight anyone and make them cry with witty/nasty sarcasm if they disagree with me. Read in an accommodating frame of mind this will equally enrich and frazzle your daily toil.

Read it in small portions for I fear that it may also infect your decision making.

When this arrived through my letterbox I was having a minor comics related crisis. What was happening in the UK Small Press? Where are the books that I expect to challenge me I was wondering. Then this angular arty word soup arrived. I haven't put it down since.

'Found Forest Floor' is a graphic novel which pairs abstract illustration and poetry to create a non-linear narrative. It is illustrated by Gareth A. Hopkins and written by Erik Blagsvedt.'

The history of the creation of this book does not follow the ordinary creation of a comic. The publishers go on to describe it as follows.

'In 2016 David Quiles Guillo approached Gareth A Hopkins and Erik Blagsvedt to collaborate on an abstract graphic novel for his Abstract Editions publishing imprint.

By design, Hopkins created 250 pages of abstract illustrations through a combination of traditional and digital methods which were then arranged in such a way that they suggested a narrative. These were used as inspiration by Blagsvedt to create blocks of poetry which were then edited and inserted into the artwork by Hopkins.'

The publisher then goes on to talk about interpretation as the important aspect of enjoying, and maybe (in my case) not understanding but relishing nevertheless what these creators have accomplished. 

Cards on the table. I love this. I love anything that gets you climbing out of your sandbox and giving something a go. I do not, and probably never will pretend to understand what is going on between the covers. However, I allow my mind to sit back and the images flex and grow around the often daft tribes of verse. The words are frivolous, diabolical, funny and often satirical. You are allowed to follow them in the same haphazard way your eye drinks in the black and white art. The combination has me grinning in the coffee shop I am currently writing in.

'alphabet tea in enormous tit purring alms.'

Hopkins has created the art from quite a personal space. His family, a park in Central London and beaches he has visited are some of the inspirations for his starkly spiky black on white art. He has a style that is both pleasing and challenging at once. He seemingly draws through instinct and a stripped down vision of the subject. Allow your focus to shift literally and figuratively as you follow the pages.

Like angular Rorschach tests by a less than honest psychologist I watch the line dance about. I am more than a little worried that this book is analysing me as I turn through it and dip ahead a little. I hope, genuinely hope, that Mr Hopkins and Mr Blagsvedt are having a secret joke on the reader. Assessing us as we assess them through this book. 

I Also want a 'Prog Clock' - where do I find one?

Full Disclosure. After first reading this I headed off and took an online Rorschach test. The results were slightly disturbing to say the least. 

Aha..... Fuck It. Don't read reviews. Just order this and try it for yourself! It may well improve your day.

This explains it far better than I ever can

Buy yourself a copy here or here

Many thanks for reading.

Tuesday, 1 August 2017

New 'Cockney Kung Fu' Script with added Milkshake.

Had a full lunch hour today. So put this script together. Just one page for a laugh.

Ley me know what you think?

Soho Red - One Page Story.

'ATV News Reporting'.

Panel 1.

Title - 'ATV News Reporting'.

Panel (looks like a fight card) -  'The Blackstock Arms', Finsbury Park - 'On The Cobbles' -  Bare Knuckles Competition.

Setting. North London. 1972.

An old school 1970s TV news reporter is standing outside the entrance door to the pub. Cigarette smoking away in his hand. Big 1970s collars on his shitty suit. Grubby looking witha touch of the sordid and unsavoury about him. He is holding an old school mic on a wire and talking directly to the reader as if he is talking in to the camera.

The Blackstock Arms is an old school London boozer that is on the corner of Seven Sisters Road and Blackstock Road - near to Finsbury Park tube station. It has seen better days and you can see the shadows of punters in the windows of the pub.

TV Reporter -"Good evening fight fans. Have we got an evening of bare knuckle bouts for you tonight! All the big names in cobbles fighting are here.'

Panel 2. 

Same view but the TV news reporter is looking off to his left. He is looking a bit excited at who he has just seen.

TV Reporter - 'In fact here is one coming now, looking good enough to gobble up...'

Panel 3.

Same view but we now have Red standing next to the reporter. He is looking well sleazy and virtually has his tongue hanging out. He is standing very close to Red, uncomfortably close.

Red is trying to smile but you can see that she has no time for this sleazebag.

TV Reporter - 'Yes, it's lady contender from out East, Soho Red. Welcome to the show.'

Red - 'Thanks Brian. Don't stand so close to me.'

Panel 4.

The TV Reporter is now even closer and seems to be staring down Red's top. His tongue is now hanging out and his eyes are bulging out like a cartoon character.

Red is looking more and more frustrated with this dick head.

TV Reporter - 'How does it feel being a lady in the ring with such bruisers. Won't the little man at home be wondering where you are.'

Panel 5.

Red kicks the TV Reporter full in the balls. So hard it lifts him off his feet.

Red looks angry as fuck.

Red - 'Here's one for your little man you bellend!'

TV Reporter - 'Blimey.'

Panel 6.

Red is now striding in to the pub doors. She looks the epitome of cool.

Red - 'George. Get me a milkshake will ya?'

TV Reporter (out of view on the floor and at a whimper) - 'ooooooh my gonads...'

The End.